Showing posts with label Richard Morris Hunt. Show all posts
Showing posts with label Richard Morris Hunt. Show all posts

Monday, March 5, 2012

The Pullmans of Prairie Avenue

One of the legendary lost houses of Prairie Avenue was the mansion of George M. Pullman, located at 1729 S. Prairie Avenue.  Located on the opposite corner from Glessner house, its stately Second Empire style façade was the height of fashion when it was completed.  However, the house stood only 45 years before falling victim to the wrecker’s ball. 

George M. Pullman and Harriett “Hattie” Sanger were married in 1867, and the following year they purchased a 100-foot wide lot at the northeast corner of Prairie Avenue and 18th Street, paying $500 per front foot, the highest amount ever paid up to that time in the city.  Pullman hired architect Henry S. Jaffray, who had previously worked in the offices of New York architect Richard Morris Hunt, to prepare the plans.  Construction began in earnest by 1872 and the family was able to move into their home in January 1876 although another year would pass until the interiors were complete. 

The massive house measured 70 by 108 feet, containing more than 7,000 square feet per floor.  The entire exterior was clad in Connecticut brownstone, including the large porte cochere along 18th Street.  No expense was spared in its construction and only the finest woods and other materials were used in its decoration.  Huge public rooms were constructed to house the elegant and large-scale entertainments the Pullmans planned.  Amenities included a 200-seat theatre, billiard room, bowling alley, pipe organ and much more.

Newspaper accounts of the house and the events which took place there routinely referred to the house as the most beautiful on Prairie Avenue and in the entire city, lavishing praise on its interiors, said to be “more beautiful than the Gardens of Cashmere.”  The Pullmans entertained frequently in their “palace” and it was not uncommon for 400 or more people to attend receptions, musicales, and theatrical entertainments.

In preparation for the wedding of the Pullmans’ daughter Harriet to Francis Carolan in 1892, a huge addition was built onto the northeast corner of the house, and the entire interior was redecorated.  The addition included a new library and billiard room, a huge palm room with a 40-foot leaded glass dome, outdoor terraces set with marble mosaics, and an enlarged and remodeled coach house.  Across 18th Street, a huge conservatory was set into a private “park” with unobstructed views of Lake Michigan.  The addition and remodeling, designed by architect Solon S. Beman, cost in excess of $100,000.

George Pullman died in 1897, but his widow continued living in the home until her death in 1921, splitting her time between Chicago and residences in New Jersey, the Thousand Islands, and Pasadena.   In November 1921 a three-day auction emptied the house of its priceless collection of artwork, rugs, antiques, and other items.  The house was demolished during the summer of 1922, a reflection of the decline of the neighborhood.    The property remained vacant until 1941 when a huge, but non-descript brick bus garage was built on the site.  That too was demolished in 2000 as the area gentrified, and today, town homes and a condominium tower occupy the site of one of Chicago’s greatest Gilded Age mansions.

Monday, January 30, 2012

Glessner House Museum - The Newport Connection

PART I – THE DINING ROOM
The dining room of Glessner house is a warm and inviting space that witnessed numerous dinners and entertainments during the years that the Glessners were in residence.  The walls are covered in beautiful quarter-sawn oak paneling.  Above the paneling and plate rail is a frieze, approximately 14 inches in height that was orignally covered in what was known as “Japanese leather paper.”  These papers were introduced in England and the United States in the 1860s to simulate the look of highly embossed leather.  Produced in Japan and offered for sale through various English and American dealers, the thick paper was pressed while wet into designs carved on wood rollers.  After the paper dried, it was sized, covered with silver or gold leaf, stenciled, painted, and lacquered to produce a rich appearance.   The original paper, although well documented in historic photographs, had been removed by the time the house was purchased for use as a museum in 1966.

PART II – CHATEAU-SUR-MER
Newport Rhode Island is known for its extraordinary collection of summer “cottages” – huge mansions constructed by some of the wealthiest citizens of the United States.  Among these cottages is a home known as Chateau-Sur-Mer, located at 474 Bellevue Avenue.  Built as a year-round residence, this National Historic Landmark is known for its extraordinary collection of furniture, wallpapers, ceramics, and decorative finishes.  It was the grandest house in Newport until the appearance of the Vanderbilt houses in the 1890s.  The house was completed in 1852 in the Italianate style for William Shepard Wetmore who made his fortune as a China trade merchant.  One of Newport’s great social events, the “Fete Champetre” (an elaborate country picnic for over 2,000 guests) took place at the house in 1857.  Wetmore died in 1862 and left the bulk of his sizeable estate to his son George who hired Richard Morris Hunt in the 1870s to remodel and redecorate the house in the popular Second Empire style.  George Wetmore later served as governor of Rhode Island and as a U.S. Senator.  The house was purchased by the Preservation Society of Newport County in 1969 and operates as a house museum today.  (Visit www.newportmansions.org for further information).

PART III – RESTORATION OF THE GLESSNER DINING ROOM
The dining room of Glessner house was restored in 1974.  Research on the room documented the original frieze as a Japanese leather paper.  Through a fortunate chain of events, it was learned that original unused rolls of Japanese leather from the late 19th century had been found in the attic of Chateau-sur-Mer.  Glessner house was able to acquire a sufficient quantity to restore the frieze.  Although the pattern is not identical to the original, it is very close, and the decorative surface closely replicates what the Glessners selected. 

THE NEWPORT-GLESSNER CONNECTION CONTINUES
On Saturday February 4, 2012 at , the Victorian Society in America will hold an event at Glessner House Museum to promote their annual summer schools in Newport, Rhode Island and London, England.  (Chateau-sur-Mer is included in the program).  At the event, attendees will listen to short illustrated programs on both schools, scheduled for June and July 2012, respectively, and will have the opportunity to ask questions, and learn about scholarship opportunities.  The event is free of charge but reservations are requested to 773-267-9336.
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