Gold and black opal necklace made by Frances Glessner
Collection of the Chicago History Museum
Photo by John A. Faier for the Driehaus Museum
On February 14, 2015, the Driehaus Museum, 40 E. Erie Street, Chicago,
opened its newest exhibit entitled “Maker & Muse: Women and Early Twentieth
Century Art Jewelry.” The exhibition
features more than 250 pieces of jewelry, about half from the personal
collection of Richard H. Driehaus, and the remainder from museums and private
collections around the country. These artistic
pieces are grouped into five categories exploring the Arts and Crafts movement
in Britain, Art Nouveau in France, Jugendstil in Germany and Austria, Louis
Comfort Tiffany in New York, and American Arts and Crafts in Chicago. The exhibit will continue through January 3,
2016. For more information, visit http://www.driehausmuseum.org/exhibitions/view/maker_muse.
Gold and yellow stone necklace made by Frances Glessner
Collection of the Chicago History Museum
Of particular interest are three pieces handcrafted by Frances Glessner,
who began taking lessons in metalwork in December 1904, actively continuing her
hobby for at least a decade. Glessner
House Museum has three examples of her silver work on permanent display in the
dining room silver closet (see blog article dated December 30, 2013), but no
examples of her jewelry, so this is an rare opportunity to see these exquisitely
crafted objects. The pieces, two
necklaces (shown above) and a hatpin (not shown), are from the collection of the Chicago History Museum,
which received them as gifts from the Glessners’ granddaughter, Martha Lee
Batchelder, in the 1970s and 1980s.
Madeline Yale Wynne
Frances Glessner honed her skills under the guidance of three talented
metalworkers. The first of these,
Madeline Yale Wynne, was prominent in Chicago society and the craft
community. Just one year older than Mrs.
Glessner, Wynne had arrived in Chicago in the 1880s, taking up residence with
her brother on the north side “Gold Coast.”
Mrs. Glessner met with Wynne in the spring of 1904 to have set stones
for her and during the next several months purchased a silver chain, a pin, and
an amethyst necklace from her as gifts for various family members. In late October 1904, Frances Glessner noted
in her journal, “I went . . . to call on Mrs. Wynne to arrange to take lessons
in metal work.” She took her first
lesson on December 3rd, and made an elegant salt cellar in time to
present to her husband that Christmas.
(The piece is on display in the dining room. For further information on Madeline Yale
Wynne, see the blog article dated August 29, 2011).
Necklace by Annibale Fogliata for Frances Glessner
Private collection
Frances Glessner’s second teacher was Annibale Fogliata, a native of
Milan, Italy, who came from London to Chicago in 1904 to teach metalworking at
Hull-House. As was the case with Wynne, Mrs. Glessner appears to have been a customer of Fogliata for some months before
beginning lessons with him. In January
1905, just a few weeks after the death of symphony conductor Theodore Thomas,
Mrs. Glessner noted in her journal, “I sent Fogliata’s beautiful silver and
brass picture frame to Mrs. Thomas.” In
March, she gave her daughter a gold pendant made by Fogliata as a birthday gift, and by May, he
was crafting metal trays for her to present to her niece as a wedding gift. In November, 1905, she noted that she was
taking lessons with Fogliata:
“Wednesday Fogliata came back and I had my silver lesson. He was overjoyed to get back. We put the bands on the two gavels I have had
made for the two beekeeper’s associations, from the wood from Rev. L. L.
Lanstroth’s garden in Oxford, Ohio.”
Frances Glessner at her work bench in the basement
of her home at 1800 South Prairie Avenue, Chicago
of her home at 1800 South Prairie Avenue, Chicago
Exactly how long she continued her lessons is not known, but she
remained a customer of Fogliata as late as May 1907, by which time he
had moved to New York. He continued
working in metal, the 1930 census listing him as an engraver in the steel
industry.
Necklace of gold and amethyst made by Frances Glessner
Private collection
Private collection
Frances Glessner’s third and final teacher was Fredrik W. Sandberg, who
will be the subject of an article on March 2, 2015.
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