Monday, October 13, 2014

Richardsonian Romanesque St. Paul - Part III

St. Paul’s finest residential street is Summit Avenue – a broad street that extends for nearly five miles through the western half of the city.  Many of St. Paul’s leading architects designed mansions for the city’s business and social leaders, and today the entire Avenue is included in both local and national historic districts.

In this installment, we will examine a number of homes that were built in the Richardsonian Romanesque style during the 1880s and 1890s.  For more information on these houses, and the other homes located along Summit Avenue, see the AIA Guide to St. Paul’s Summit Avenue & Hill District (Larry Millett, Minnesota Historical Society Press, 2009) and St. Paul’s Historic Summit Avenue (Ernest R. Sandeen, Living Historical Museum, 1978).

Joseph Lockey House
684 Summit Avenue
Hermann Kretz, architect

The breadth of this large home is accentuated by the alternating courses of tall and short stones, which emphasize the horizontal lines of building.  The asymmetrical façade includes a four-story gabled section at right offset by a three story turret at left, the two sections connected with a broad porch. 

Farrar-Howes Houses
596-604 Summit Avenue
Clarence H. Johnston, architect

Johnston was one of St. Paul’s most prolific architects, executing numerous buildings in a variety of styles including Richardsonian Romanesque.  This grouping of five houses derives part of its design from the use of two contrasting colors of stone, differentiating the wall surface from the trim.  

The elegant symmetrical façade with Classical detailing avoids the monotony often found in row houses with slightly shorter houses at either end, and an interesting treatment for the entranceways of the three center units.

Summit Terrace
587-601 Summit Avenue
Willcox & Johnston, architects

Clarence Johnston, architect for the Farrar-Howes houses above, teamed with partner William Willcox one year earlier for the design of this row of eight brownstone houses.  The grouping is anchored at either end by a tall turret, with gabled sections, projecting bay windows, and a variety of treatments for porches and entryways creating a rich and varied façade.  

The Terrace is a National Historic Landmark, not for its architecture, but for its connection with author F. Scott Fitzgerald.  His parents moved into 593 Summit in 1914, when their son was away at Princeton.  In 1918, they moved to 599 Summit, and it was here, during the summer of 1919, that F. Scott Fitzgerald completed the manuscript that became his first novel – This Side of Paradise.

Chauncey Griggs House
476 Summit Avenue
Clarence H. Johnston, architect

This house, by prolific architect Johnston, was designed during the first year of his practice in St. Paul.  Faced in Lake Superior sandstone, it was one of the first in St. Paul to use this stone, which became very popular over time.  

Now heavily obscured by foliage, the house has a stately presence with its simple lines, arched windows at the second floor, and octagonal turret.

Edgar Long House
332 Summit Avenue
Gilbert and Taylor, architects

This house is the work of Cass Gilbert and James Knox Taylor.  Gilbert went on to become a nationally recognized architect, after designing numerous buildings in St. Paul, including the Minnesota State Capitol building.  

In this commission, the architects combined red brick and sandstone to achieve a rich façade, including fine carved detail on the turret and central gable.  The main entrance comprises a set of elegantly carved double doors set within a massive Romanesque arch.  An open porte cochere at the far left end of the building was later bricked up.

William Lightner – George Young Double House
322-324 Summit Avenue
Gilbert and Taylor, architects

Located adjacent to the Long house, these double houses continue a stretch of massive stone clad houses along this section of Summit Avenue.   The overall structure is clearly defined as two houses, with the right half more in the Renaissance Revival style with its boxy shape and Classical cornice.  The left half is more picturesque, with a pair of Romanesque arches on the front porch supporting another porch above.

William Lightner House
318 Summit Avenue
Cass Gilbert, architect

This is generally regarded as one of the finest houses along Summit Avenue.  Gilbert was at the peak of his career when he designed this house, for the same client who had commissioned half of the double-house next door, just a few years earlier.  The influence of Glessner House is clearly evident in the design, which is grounded by a large center entryway set beneath a massive sandstone arch.  Additionally, the grouping of windows above, with engaged columns in between, clearly speaks to Richardson’s design for Glessner.  However, by the time Gilbert designed this house, Romanesque was starting to fall from flavor, so elements of Classical Revival mix seamlessly in this transitional house.   The treatment of the stone is particularly effective, contrasting the sandstone trim and banding with the South Dakota quartzite used for the wall surfaces.  The stone is further delineated by utilizing tall courses of stone at the first level, and alternating courses of tall and short stones at the second.  The house was extensively restored in 2006, at which time it was converted from its later use as seven apartments, back to a single-family residence.

Next week:  The James J. Hill House and Laurel Terrace

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