Celebrating the 100th anniversary of the Glessners' "miniature orchestra"

On Wednesday January 16, 2013, a very special event took place at Glessner House Museum.  Nearly 60 guests were on hand to commemorate the 100^th anniversary of the presentation of a miniature model of the Chicago Symphony Orchestra to Frances Glessner.  Handcrafted by her daughter, Frances Glessner Lee, the model has been in the possession of the Chicago Symphony Orchestra since 1921, and has only been displayed on rare occasion since that time.

The model was returned to its original location in the alcove of the courtyard guestroom, and a new stage and potted palms were recreated to make the display as accurate as possible to the original setting as envisioned by Frances Glessner Lee. 

The evening began with a dinner for 30 people in the historic dining room of the house.  The dinner commemorated the 100^th anniversary of a dinner hosted by John and Frances Glessner on January 17, 1913 to which the entire Orchestra was invited along with other guests, 105 people total!  Special guests at the 2013 dinner included three staff members from the Chicago Symphony Orchestra as well as several descendants of those who attended the 1913 dinner – a great-granddaughter of conductor Frederick Stock (shown above examining the model), and four grandchildren of concertmaster Harry Weisbach (shown below with spouses).

The dinner began with a very special musical treat for the guests.  The miniature orchestra features music on each music stand handwritten and arranged by Frederick  Stock.  The piece is “The Drum Major of Schneider’s Band” with words and music by Arthur J. Mundy, published in 1880.  The piece was a favorite of Frances Glessner, who frequently played it on the piano.  Glessner House Museum Executive Director and Curator William Tyre played the piece on the piano, accompanying Chicago Symphony Orchestra Archivist Frank Villella, who sang the charming lyrics, with just the right Germanic emphasis on the words.

Following the dinner, all 60 guests assembled in the coach house for an informative lecture by Tyre on the Glessners and their long association with the Orchestra.  Using Frances Glessner’s journal and a treasure trove of letters from the first two conductors of the Orchestra – Theodore Thomas and Frederick Stock – Tyre told the intimate story of the Glessners and “their” orchestra (as they often referred to it).   From the Orchestra’s early years of struggle to the completion of Orchestra Hall, and from the sudden death of Thomas in 1905 to Stock’s forced resignation during World War I (due to his German citizenship), the lecture presented the history of one of the city’s greatest cultural assets from a very personal perspective. 

To conclude the evening, visitors had a chance to “meet” the star of the evening - the miniature orchestra on display in the guestroom.  It will remain on display through Sunday February 24 and can be seen as part of regular public tours.

Channel 7’s Frank Mathie did a segment on the miniature orchestra which aired on January 15, 2013.  To view the segment, click on the link below:

http://abclocal.go.com/wls/story?id=8955690&rss=rss-wls-article-8955690&section=news/local/mathie

Frances Glessner's Miniature Orchestra

On Wednesday January 16, 2013, the museum will place on display the marvelous miniature orchestra created by Frances Glessner Lee exactly 100 years ago.  A special lecture focusing on the Glessners and their lifelong involvement with the Chicago Symphony Orchestra will be held at 7:00pm that evening in the coach house.  For reservations or further information call 312-326-1480.  (The model, now owned by the Rosenthal Archives of the Chicago Symphony Orchestra, will continue on exhibit at the museum through Sunday February 24th and can be viewed as part of the regular public tours).

In 1912, Frances Glessner Lee began work on a scale model of the Orchestra which was presented to her mother on January 1, 1913, the occasion of her 65^th birthday.  Ninety Viennese bisque dolls and wooden doll-house chairs were gathered for the project.  Lee was permitted to attend rehearsals, where she wandered among the musicians, marking on each doll’s bare bisque head the hairlines and facial hair of each performer.  She hand-stitched tuxedos and white dress shirts for each doll, and placed a tiny fabric carnation in each lapel.  (Her mother often sent carnations for the orchestra members to wear).  Many of the instruments were made by Lee, using wooden candy boxes and other household items; others were made by craftsmen she hired for the project.  The entire ensemble was mounted on a tiered wooden stage that was nearly eight feet long.  Conductor Frederick Stock, an intimate friend of the family, handwrote one page of The Drum Major of Schneider’s Band for each music stand.  (The piece, written by Arthur J. Mundy and published in 1880, was a favorite of Frances Glessner, who enjoyed playing it on the piano).

John Glessner recorded the presentation of the model in his wife’s journal:

“New Years was Frances’ birthday and that afternoon Frances Lee gave her the wonderful ‘little orchestra’ – the full orchestra stage and full 90 men and their instruments, doll size, all worked out in exquisite detail, and most of it done by Frances’ own fingers . . . Nothing could be more complete or perfectly done, or more interesting.”

On Friday January 17, 1913, the full Orchestra was invited to view the model:

“Every member of the organization except three was present, making with the 15 or 16 other guests, 105 or  106 who sat down to dinner that was prepared in this house . . . There was a punch at the close and toasts and songs and the musical program before that was fine and humorous.  The men were much interested in the ‘little orchestra’ and in seeing themselves as others see them, and went back again and again to the room over the parlor where it was, and Frances Lee was fully satisfied with their appreciation.”

The Glessners displayed the model of the orchestra in the upstairs hall of their home, placing it in a covered display case made specifically for the model.  It was subsequently donated to the Chicago Symphony Orchestra, where it was displayed in the second floor ballroom of Orchestra Hall for many years before being removed from permanent display and stored.