Showing posts with label Harry Weese. Show all posts
Showing posts with label Harry Weese. Show all posts

Monday, April 11, 2016

Glessner House Museum celebrates 50 years


On April 16, 1966, twenty individuals signed a resolution creating the Chicago School of Architecture Foundation.  Out of that organization evolved both Glessner House Museum and the Chicago Architecture Foundation, entities that champion and celebrate the rich architectural tradition in Chicago, past and present.  As we commemorate the 50th anniversary of that milestone event this week, we pause to honor those individuals whose foresight and vision saved H. H. Richardson’s iconic Glessner house, launched the successful preservation movement in our city, and made Chicago a destination for architectural enthusiasts from around the world.


Glessner House is Threatened
For twenty years, Glessner house was occupied by the Lithographic Technical Foundation, but by early 1965 that organization had relocated to Pittsburgh and the building was put up for sale.  The early 1960s had been a period of extraordinary challenge and frustration for those attempting to preserve Chicago’s rich architectural heritage.   Among the chief losses was Adler & Sullivan’s Garrick Theater on Randolph Street, demolished in 1961. 

The fate of the Glessner house was known as early as November 1963, when several individuals met with representatives from the Foundation to discuss the future of the building.  Among those at the meeting were Wilbert Hasbrouck, chairman of the Preservation Committee of the Chicago Chapter of the American Institute of Architects (CCAIA); Joseph Benson, Secretary of the Commission on Chicago Architectural Landmarks; and Marian Despres, wife of Alderman Leon Despres, and the daughter of architect Alfred Alschuler.  Hasbrouck reported back to Jack Train, president of CCAIA:

“Regardless of what final use is made of this building, I feel the AIA must take a major advisory role in its disposition.  The Glessner House is too important a structure to go the way of the Garrick.”


On January 31, 1965, the Chicago Tribune published an article noting that the future of the house was in jeopardy, but quoted several individuals who recognized that the house was simply too important to lose.  Wilbert Hasbrouck noted that the building would make a perfect museum of Chicago architecture.  Joseph Benson also expressed concern and noted that it was one of 38 buildings in the city to be designated a landmark.  But Marian Despres noted that the landmark designation was purely honorary, and did nothing to protect the building from demolition. 


Individuals Come Together
Many of those involved in saving Glessner house were well acquainted with each other by the time the house went up for sale.  Leon and Marian Despres and others had rallied together to save Frank Lloyd Wright’s Robie House when it came under threat of demolition in 1957.  That successful effort led to the formation of Chicago’s first preservation group, the Chicago Heritage Committee, co-founded by architect Ben Weese.  Soon after, Alderman Despres proposed an ordinance creating an historical and architectural landmark commission which awarded landmark status to 38 buildings in 1960, including Glessner house.

In 1960, Weese, Despres, and Hasbrouck joined others, including photographer Richard Nickel and architect John Vinci, to march together in a picket line to save the Garrick Theater.  Although their efforts proved unsuccessful, it brought these like-minded individuals together and the preservation movement gained momentum. 


Worthy of Architects’ Praise
Ben Weese recalled that in the early 1960s, he spent the day escorting the world famous architect Alvar Aalto around Chicago, showing him the buildings of Louis Sullivan and Frank Lloyd Wright.  Aalto appeared only mildly interested.  But when the two pulled up in front of Glessner house, Aalto stepped out onto the sidewalk and stood transfixed, studying the building for over an hour.

In March 1965, Weese and his brother Harry took architect Philip Johnson to see Glessner house.  Johnson praised the building, and was especially taken by the floor plan which oriented the major rooms toward the private south-facing courtyard.  He offered to pay half of the purchase price of $70,000 if those in Chicago could raise the other half, but later rescinded the offer when “the horrid question of maintenance came up.”  In spite of that, however, Johnson was quoted in June 1966 as saying “Glessner House is the most important house in the country to me.”

The Weeses Search for Funds
Ben and Harry Weese continued to search for funds to purchase and maintain the house throughout 1965 and into early 1966.  In a letter to selected Chicago architects, Harry Weese laid out the purposes of the proposed organization that would acquire Glessner house:

“To establish the first architectural organization in the country, at the birthplace of modern architecture, in a historic and architecturally significant building.

“To create a unique institution to become the center of architectural history, a staging point for tours, a place to sell books and literature, a gallery, a museum for artifacts in the courtyard.”

Others Express Interest
At the same time that these architects and preservationists were attempting to raise the funds to purchase the house, four young men, working independently, had also learned of the house and decided to find a way to purchase it.  Richard Wintergreen and Jim Schultz were draftsmen in the office of Mies van der Rohe.  Wayne Benjamin, a businessman in finance, had met Wintergreen at the University of Illinois, and Paul Lurie, an attorney, became acquainted with Wintergreen through his fiancĂ©e.  The four men formulated their idea to save the house over dinner at Pizzeria Due, ironically housed in a late 19th century mansion.

CSAF meeting, August 18, 1966

The Chicago School of Architecture Foundation is Organized
On April 6, 1966, the Weese brothers announced publicly that they would pledge $10,000 toward the purchase of Glessner house.  The same day, Richard Wintergreen wrote to Philip Johnson alerting him to the fact that he and his three friends had formed a group to purchase the house.  Johnson suggested that Wintergreen’s group coordinate their plans with the Weeses, and from that point on, all those working to save Glessner house worked together.

On Saturday April 16, 1966, a resolution was signed by twenty individuals creating the Chicago School of Architecture Foundation.  Those signing were:  Carl Condit, Richard Nickel, Herman Pundt, Earl Reed, Wilbert Hasbrouck, James Speyer, Joseph Benson, Clement Sylvestro, George Danforth, Maurice English, Phyllis Lambert, Dirk Lohan, Paul Lurie, Wayne Benjamin, Richard Wintergreen, James Schultz, Dan Murphy, Ben Weese, Harry Weese, and Irving Berman. 

The first order of business was to raise the funds needed to purchase the Glessner house. 

Additional articles will be posted throughout our anniversary year highlighting the efforts of our founders in purchasing and preserving what survives today as Glessner House Museum.

Photos by Richard Nickel


Monday, October 1, 2012

Glessner House Museum 125th Anniversary Gala

On Thursday September 13, 2012, Glessner House Museum celebrated its 125th anniversary with a gala celebration held at Symphony Center.  The gala was the major event in the 18-month commemoration of the anniversary of the completion of the house, and was attended by more than 200 people.  Over $59,000 was raised for restoration projects.  The gala was generously underwritten by a grant from the Richard H. Driehaus Charitable Trust.  John Bryan served as Honorary Chair.

The location of the gala was significant.  John and Frances Glessner were major supporters of the symphony from the time of its inception in 1891.  John Glessner was one of the original “guarantors” who underwrote the expenses of the orchestra in its early seasons, and from 1898 until his death in 1936 served as a trustee of the Orchestral Association.  When Orchestra Hall was built in 1904, the Glessners personally solicited much of the funding from their friends.  Theodore Thomas and Frederick Stock, the first two conductors of the orchestra, were both intimate friends of the Glessner family, and were frequent guests at their Prairie Avenue home as well as their summer home in New Hampshire. 

A highlight of the gala celebration was the recognition of several individuals and architectural firms who rescued the house from almost certain demolition in the mid-1960s.  Eight donors provided the $35,000 in funding needed to purchase the house:  Marian and Leon Despres, Philip Johnson, Phyllis Lambert, C. F. Murphy Associates, Perkins & Will, Skidmore Owings & Merrill, Harry Weese, and Ben Weese.  In addition, three individual who played a critical role in saving the house and overseeing its early reuse and restoration were honored for their roles: Wayne Benjamin, Paul Lurie, and Wilbert Hasbrouck.

Ben Weese (left) receiving a Certificate of Appreciation from Glessner House Museum Board president Rolf Achilles.

Shirley Weese Young receiving a Certificate of Appreciation in memory of her father Harry Weese from Museum Executive Director Bill Tyre and Board President Rolf Achilles.

Paul Lurie (left) and Wayne Benjamin (second from right) receiving their Certificates from Bill Tyre and Rolf Achilles.

Addie Carter, age 5, a great-great-great granddaughter of John and Frances Glessner, checks out the view from Box M, which the Glessners occupied from 1904 until their deaths in the 1930s.

(L-R):  Ward Miller, Anne Bird, Christopher Bird

(L-R):  Tina Strauss, Norman Sandfield, Joan Goldstein, Steve Jacobsen, Carolyn Ply, Nancy Ochi

(L-R):  Ruth Sharpe, John Vinci, Cindy Weese, David Sharpe

(L-R):  William Redfield and Robert Marks

(L-R):  Executive Director Bill Tyre with gala chairs Jim and Mary Glerum

Photos by Tim Walters Photography www.timwaltersphotography.com
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